Designers are obsessed with the notion of wardrobes - well they should be. Wardrobes are wear clothes end up, physically and ideologically. That's where we pull our looks from. But real wardrobes are quite as luxurious as that of the

“I wanted to show the universal power of men’s tailoring,” said Italo Zucchelli after a Calvin Klein Collection autumn/winter 2016 show that demonstrated just that, including the stuff on a bunch of power women - models Mariacarla Boscono, Iselin Steiro, Jessica Miller

We had never really considered the need in our life for a bejewelled Mickey Mouse shaped mask before yesterday's Iceberg show. Now we can't think about anything else. They had a bit of a sinister vibe. Was Mickey was perhaps

Spaghetti westerns already sound a bit Italian, don't they? Domenico Dolce and Stefano Gabbana seem to think so - their winter 2016 menswear show was a rootin’ tootin', embroidered and bedazzled ode to the Cowboy - not the building kind,

Themes? Who needs themes? Certainly not Ralph Lauren, whose only theme for his Purple Label menswear is luxury, in every iteration. It's made for men who go to ambassadors' receptions and each Ferrero Rocher, for men who own great tranches

Ground control to Donatella: we have Versace lift-off! From lights-alive jogging gear through spacesuit-meets-tracksuit daywear and chic sherberty tailoring, it was an ode to the intergalactic. Donatella was thinking of the future, of the future for the Versace ma and

For winter 2016, Neil Barrett looks to his own past - personal and professional - to design an intimate, private and resolutely real wardrobe for his man. What's that mean? A seventies Bowie interview as a soundtrack, Kestrels inspired by

Rodolfo Paglialunga picked up on a few key Milanese trends at Jil Sander: a somber colour palette, a wide shoulder, a military hue, and fur. He refracted it, as ever, through Sander's minimalist tailoring - she made her name and

Intimate and personal - that was Marni for Winter 2016, in the words of its head honcho Conseuelo Castiglioni. What could be more personal than Marni, whose approach is always singular and immediately identifiable? And what could be more intimate

Haute couture, for him. That sounds right up Stefano Pilati's very fancy Zegna street - he's detail obsessed, and adores embellishment. The latter were out in force for his winter Ermenegildo Zegna Couture show, an ode to the sequin

A real man's real wardrobe. That was the inspiration for the debut menswear collection of Peter Dundas at Roberto Cavalli. It was pretty much his menswear debut full-stop - there was one excursion at Pucci, but this was his chance