Christopher Kane: Ready-to-Wear AW18
The Christopher Kane girl is getting serious. This season she has grown up, she’s wiser, calculated and disruptive. We like her already. We knew we would. It began with the illustrated guide to sex, ‘The Joy of Sex and More Joy of
Marques’Almeida: Ready-to-Wear AW18
In case anyone was questioning whether we were power women, Marques'Almeida have spelt it out, quite literally. For their AW18 collection Marta Marques and Paulo Almeida were fuelled by their responsibility to create clothes with a relevancy behind them. “We hope to
Chanel Launch New Augmented Reality Initiative With Farfetch
The brave new world of augmented reality, which at one point seemed but a distant inevitability, is now all but upon us. What's needed to create a new world? Gods. Here, taking the form of Chanel and Farfetch- deities of
Peter Pilotto: Ready-to-Wear AW18
For their AW18 show, Peter Pilotto served up their own unique cuisine of period chic to guests sat round tables at West London's prestigious gent's club, Tramp. You'd most likely recognise it from Mail Online paparazzi shots of wobbly, pale-faced celebrities
Ashish: Ready-to-Wear AW18
Ashish strikes again, all that multicoloured glittery dreamland magic. A little bit of reminiscing to his Indian roots and a high key dig at American consumerism was on the agenda. And so he did what he does best, sequins were
Mary Katrantzou: Ready-to-Wear AW18
A revolution of new ideas from Mary Katrantzou all added up to one of her true to form power packed collections. Bauhaus meets William Morris had combined in the melting pot of the studio and took Mary to her happy place, the
Roland Mouret: Ready-to-Wear AW18
“I’m completely out of control!” Faye Dunaway exclaims in one of our favourite fashion thrillers, The Eyes of Laura Mars. Out of control in lurve. It’s how we felt today watching Roland Mouret Autumn/ Winter 2018 show at the National Theatre. The
Gareth Pugh: Ready-to-Wear AW18
When we last spoke to Gareth Pugh he gave us his thoughts on the fast food fashion Instagram blogging machine: “The idea of a creative industry that is led purely by the sums – “X sold better than Y so
Chalayan: Ready-to-Wear AW18
Hussein Chalayan named this collection, “Peripherique.” Whatever Hussein Chalayan was thinking about (borders, edges, society, that French ring road etc) it had propelled him to create a much more wearable rather than a conceptual collection this season. This was intended
Molly Goddard: Ready-to-Wear AW18
When Rihanna is putting on your tiered tulle, rocking it in her bad gal ways, sneakers and sunglasses, life must be good. Even better when kween of conceptual thinking Rei Kawakubo dreams of wearing you to the Met Ball. The Rihanna
House Of Holland: Ready-to-Wear AW18
House of Holland is coming of age. Ten years on, the Henry Holland girl is growing up. “Let shit hit the shitting fan, get out that door, feet on the floor. Dance. Count the days. Forget the minutes. You’ve grown my moaning
Burberry Present Their Men’s And Women’s Collections At London Fashion Week
Seventeen years of Christopher Bailey’s work tonight shone brightly under swinging space-ship like lamps. It was epic. Emotional. Poignant. Thrilling. Sad. Set in the history of the Dimco Buildings, the lineup of Burberry‘s best strode strong. “My final collection here
Ports 1961: Ready-to-Wear AW18
And then to the Tanks at the Tate Modern for Ports 1961 womenswear where soft lanterns had us feeling soothed, the sound of rain got us meditating. Oh yeah, blissed out. Jonny Greenwood’s Phantom Thread soundtrack introduced a sense of mystery, subtly
Simone Rocha: Ready-to-Wear AW18
There is always a sense of childlike wonder, of dressing up at Simone Rocha. This time, the child was growing up, teenager time. This collection played out moodier, darker, more complex. A fallen romance in an opulent setting. A princess
JW Anderson Presents His AW18 Co-Ed Show
Good things come in tens. Well, we would know. It’s ten years since JW Anderson. He says of that moment, “When I look back, that show was probably the most important one I will ever do. It was about gender